Showing posts with label museum. Show all posts
Showing posts with label museum. Show all posts

Wednesday, March 23, 2011

The newest addition to the Mullin Museum, the 1938 Hispano-Suiza / Saoutchick Xenia (winner of Goodwood, Amelia, Pebble Beach, Greenwich awards)


2000: Pebble Beach Concours d’Elegance (Restoration debut) - Most Elegant Closed Car
2001 Amelia Island Concours d’Elegance - Best in Show
2001 Meadowbrook - Engineering Excellence Award
2001 Greenwich Concours - Best in Show, Most Outstanding French Car
2005 Pasadena Art Center - Student Choice Award 2008 Rodeo Concours - Best in Show
2009 Goodwood Festival of Speed, Best in Show
2010 Driving in Style, 1930-1965 - Featured vehicle at High Museum of Art
2011 The Allure of the Automobile – To be featured at Portland Art Museum
The creation of Andre Dubonet, successful race car driver, and WWI fighter pilot.
Early in life, Dubonet developed a passion and took great delight in speed and adventure and desired to perfect the future of road transportation and in particular, the suspension system. As his favorite car was the Hispano-Suiza, he picked the 1932 H-6C chassis, which he had seen previously at the Paris Auto Salon and began sketching designs for a prototype, drawing upon his aviation background and racing experience. Further, this 1938 car was designed to reach 125mph which rivaled any car of the time and had a cutting-edge four-wheel independent suspension. In fact, the innovative suspension technology mounted each front wheel on a single arm that extended forward from the kingpin, while a pair of oil-filled, coil spring cylinders offered resistance and swiveled as each wheel turned, improving rise and handling. This original suspension system was later licensed by General Motors and used on its Chevrolet and Pontiac brands. Dubonnet designed his steel masterpiece at 19ft long and claimed that his Hispano-Suiza hyperflex suspension system would give it the “suppleness of a cat”. He took his designs to French coachbuilder, Jacques Saoutchik who helped him with the framework of the automobile, and then partnered with engineer Antoine-Marie Chedru to develop his patented independent front-suspension system. What followed was a dramatically streamlined build with an emphasis on aerodynamic styling, affectionately named Xenia, after Dubonnet’s first wife. Far ahead of its time, the Xenia resembles the fuselage of an airplane with a slender, tapered shape and pointed tail. A new parallel opening door system was used as part of the aerodynamic design and special attention was given to the undercarriage for clean air movement. The curved glass of the windshield and doors are reminiscent of airplane-styling and the panoramic windscreen and removal top were exceptionally futuristic. It featured an 8 liter overhead-valve inline 6 engine capable of 144bhp in standard form. To protect this revolutionary automobile during World War II, the Xenia was hidden away in 1939 and did not resurface until 1946 in Paris. The Xenia was then purchased by Alain Balleret, President of the French Hispano-Suiza Club who began the vehicles restoration. for more about the Mullin Museum: http://justacarguy.blogspot.com/2010/08/mullin-museum-is-finally-open-but-only.html For 3 less artisticaly stunning photos, but one shows the incredible door hinge mechanism: http://justacarguy.blogspot.com/2008/08/look-at-beauty-and-art-of-pebble-beach.html When someone is as unusually brilliant and involved with cars as Andre, the story doesn't stop with just one creation... have you seen the Tulip Wood Hispano Suiza? http://justacarguy.blogspot.com/2011/03/newest-addition-to-mullin-museum-1938.html

Saturday, October 30, 2010

Placating the Beliefs of Others

Religion goes too far. We live in a world where people are living in fear of the belief of others. Supposedly, we all live in technologically advanced societies, but where is the acceptance of scientific fact? Despite all the evidence many still reject the evolutionary scientific premise, believing that Mankind was created just 5,000 years ago.

As John Lennon said "Imagine there is no religion." In Australia when the ABC shows a television program which is partially aimed at Aboriginals a warning is given that the program shows deceased people. This is given "in fear" of offending religious belief. We can't go on appeasing those who want to control others. Let's face it When we pass from this life that is the end. We should not be so arrogant as to believe that we are somehow special in the eyes of a paternalistic creator.

Museums are now cowering from pressure groups. Mummies are being withdrawn from public view because some say they should be left to rest in spiritual peace. Even museum staff support this. Signs are being put up warning visitors that deceased people are close by. Even pagans have managed to get the skull of the iron age Worsley Man withdrawn from display.

It seems that people are living in fear of death itself, because that is what it truly is. Peering around the side of a partially covered coffin to see a mummy does not protect the deceased from scientific reality - that all of the mummy's gods could not save it from death.

A lion has no respect for the body of the antelope it has killed. Why do humans have this desire to show extreme respect for those who have been dead for thousands of years? Giving skeletons "privacy" to slumber is ridiculous. Ninety percent of people want to see ancient remains openly displayed with no restriction. Scientific research could be stopped in its tracks if the restrictive line of behavior continues.
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